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All About Eve. Funny Face. Sunset Blvd. Rear Window. Sabrina. A Place in the Sun. The Ten Commandments. Scores of iconic films of the last century had one thing in common: costume designer Edith Head (1897–1981). She racked up an unprecedented 35 Oscar nods and 400 film credits over the course of a fifty-year career.
Never before has the account of Hollywood’s most influential designer been so thoroughly revealed—because never before have the Edith Head Archives of the Academy of Motion Picture Arts and Sciences been tapped. This unprecedented access allows this book to be a one-of-a-kind survey, bringing together a spectacular collection of rare and never-before-seen sketches, costume test shots, behind-the- scenes photos, and ephemera.
- Sales Rank: #505443 in Books
- Published on: 2010-10-05
- Original language: English
- Number of items: 1
- Dimensions: 12.08" h x 1.55" w x 10.16" l, 5.69 pounds
- Binding: Hardcover
- 400 pages
Review
The Independent (UK), 10/4/10
"There’s fierce, and there’s Edith Head. The name to drop in the golden age of Hollywood, Head was wardrobe consultant on Rear Window and All About Eve, to name a couple of classics.
This stunning new book chronicles her 50-year career with sketches and archive material."
Harper’s Bazaar, October 2010
"It’s a must-have book for connoisseurs of fashion and film alike.”
Donna Marie Smith, Palm Beach Cty. Lib. Syst., FL- Library Journal’s Xpress Review 10/29/10
"The golden age of Hollywood sparkled with glamorous stars and extravagant cinematic productions. Costume designer Edith Head won five Oscars and epitomized—along with actors she clothed such as Barbara Stanwyck, Grace Kelly, and Audrey Hepburn—the star quality of these heady days. Jorgensen (editor, Peterson's Photographic magazine) captures a behind-the-scenes look at the world and work of this dedicated, prolific artist. He includes background information and gorgeous color photographs and illustrations of the costumes she meticulously designed. While incorporating biographical information about Head, Jorgensen focuses primarily on the clothes, which perfectly personified the characters in films like All About Eve, Roman Holiday, and Sunset Boulevard.
Verdict For fans of classic Hollywood movies and students of fashion, photography, and film. Those who want a more in-depth look at the personal life of this iconic Hollywood figure should read David Chierichetti's Edith Head: The Life and Times of Hollywood's Celebrated Costume Designer.
BookPage, December 2010
“…scrupulously researched and handsomely assembled work… Filled with pithy anecdotes and never-before-seen sketches, Edith Head is the book for the costume design enthusiast.
InStyle Australia December 2010
“This lust-have new tome reveals the story behind the costumes.”
Tucson Citizen’s Shelf Life, 12/8/10
"In this beautifully executed book filled with more than 350 images, Head’s work is documented and put into historical context providing readers with a rare behind-the-scenes look at how Hollywood design evolved. This is a fascinating book which is a virtual treasure chest of film stills, costume sketches, tests, and even fabric samples. The text by Jay Jorgensen, a longtime editor for Petersen’s Photographic magazine and photo editor of Palm Springs Life, adds just the right touch."
Antique Trader, 12/30/10
“The anecdotes were so intriguing, I found myself unable to stop turning the pages. … In addition to the fascinating stories, there are page after page of stunning photos and original Edith Head costume sketches; the book is illustrated with more than 300 large, clear photographs. The large format and heavy, quality paper are a pleasure to behold. It could be classified as a “coffee table” book, but that description seems to fall short, as it offers so much more. And the presentation is attractive right down to the end papers, which are a montage of Edith Head sketches. … The book has significant entertainment and informational value; anyone who is even remotely interested in Hollywood history, popular culture or fashion will find “Edith Head” worthwhile.”
Films in Review
“The book is a treat. A spectacular repository of on-set pictures of Ms. Head at work, plus her costume designs, and even a recipe for Chicken and Potatoes Casa Ladera (her home in the 50s), we get a full-bodied picture of her career . . . . fun . . . beautiful.” Sight & Sound“This spectacular one-of-a-kind book surveys Head’s work in words and pictures, bringing together rare, never-before-seen sketches, fabric samples, costume tests and behind-the-scenes photos from the Edith Head archives.” Guardian
“[Author Jay Jorgensen’s] pictures are a revelation. He has excellent images of Head's designs, at their best when based on character rather than dazzle.” Rage Monthly
“Edith Head: The Fifty-Year Career of Hollywood’s Greatest Costume Designer is a beautifully done book. The flow of the chapters, the extensive photos comprised of stars and the costumes alone are quite remarkable and create a fascinating read for Hollywood fashion aficionados.” “Jorgensen moves through Head’s career almost on a film-by-film basis; the volume is sumptuous, but the text is also well-researched. Together with Chierichetti’s biography, the two books will stand as the definitive texts on one of the paradigmatic Hollywood careers.”
About the Author
Jay Jorgensen is an editor for Peterson’s Photographic magazine. He has written many celebrity profiles and his photography has been showcased in magazines such as People and TV Guide. He divides his time between Los Angeles and Palm Springs, California.
Most helpful customer reviews
64 of 69 people found the following review helpful.
Numerous typos, grammatical errors distracting
By Mrs. Johnson
I understand that this book's attraction for most people is the photos, but I'm frankly shocked by the number of obvious typos and grammatical errors in the text--at least one on every page! I also understand that not everyone will catch a dangling modifier or even subject-verb agreement in tricky sentences, but periods next to commas? Random question marks inside words? Periods in the middle of sentences? These errors are extremely distracting to the reader. I can't believe this book was allowed to go to press without at least one pass by an editor!
If you can manage to ignore the typos, you may find the placement of images occasionally mystifying, with photos not showing up until 6 or 8 pages after the costumes were described. And while I was hoping for insight into Edith Head's character and motivation, after a certain point most of the content is devoted to a litany of costume descriptions.
44 of 47 people found the following review helpful.
Edith Head's Career Highlighted
By Ray W. Clarke
This much-awaited volume on Miss Head is an absolutely beautiful volume. I waited years to have a colossal book on her costumes much more than more information on her life which is available in other volumes.
While the book itself is a magnificent production, including the graphics, layout, photography and cover fabric, there are a few aspects that go wanting, but do not detract from anything but the highest recommendation.
I find that the pictorial coverage is most stingy with her designs for The Ten Commandments, even though the picture of Anne Baxter's elegant and stylized portrayal of Nefretiri is captured by the one and only photograph devoted to this motion picture.
Of special note is that despite the computer and editorial staff, the text which is sufficient except again for The Ten Commandments, has numerous spelling, syntactical, and possibly typographical errors. While I think nobody can attest to any accuracy regarding her early years, nor certain facts regarding her most personal interior life, the text is informative, and not burdensome in presentation of her typical daily activities. It is to the point!
It is especially a noteworthy book because we are treated to photography that we have never seen in other books about this most highly-acclaimed and most sensitive artist. While one may find that she may have been highly protective of her billing and her Oscars, one understands that it was out of necessity, due both to her formulative years and instinct to guard and protect her artistry. Had she not guarded her designs, one can only imagine that the system in which she worked could have concealed her rightful acknowledgements.
I applaud both Edith Head for giving so many of us such magnificent pleasure over so many decades, and for the author and staff who made this book happen.
Ray W. Clarke
Cleveland & Palm Beach
33 of 35 people found the following review helpful.
Could have been MUCH MUCH better
By wildroses
I suppose any book documenting Edith Head's 50 year career in Hollywood is better than nothing, but this one doesn't even try to be in depth. It is a disappointment on a number of levels.
This coffee table book is part biography of Edith, part fashion bio of the costumes she made for films, part gossip dropper of the lives on the people she worked with. Don't be fooled by the books height or size. You aren't getting your money's worth as most of the pages are "filler."
I purchased this book back in January, but held back posting a review until I finished reading it. I kept hoping, thinking, the book would improve. But the longer I examined it, the more faults I found with it.
Firstly, Edith's name is linked to over 1000+ films; of that 500 or so, she personally designed and costumed herself. From that, we get only a scant 100 or less films. Also, for reasons I can't fathom, we are shown pictures from films Edith had nothing to do with (where she received name credit, but didn't actually design the costumes for). While it's neccesary, of course, to address the Givenchy and "The Sting" controversies, among others, it's a waste of space to include pictures of costumes she didn't design.
Compounding this problem is the many, many, many of the costumes are described and not shown. With the exception of 3-6 films, most films are alloted only 1 or 2 pictures. In addition, most of the shots are publicity shots and don't always show the costumes at their best angle to be able to study and admire the craftmanship Edith put into making them.
Then, we come to pictures of Edith. There are 20+ (I counted) pictures of her sketching or looking at sketches. One or two would have sufficed, given that NO imagination went into choosing pictures of her where her personality came through. Also, there are too many bland/boring shots of her looking blankly into camera, or posing beside someone. The author keeps telling us she had a funny, vibrant side. That her off-duty wardrobe was relaxed but stylish. But we get only a few types of pictures. The pictures of Edith chosen don't give insight into Edith as either an artist or a personality. (Hell, rather than given us 20+ pictures of Edith sketching...they could have given us instead more pictures of her costumes or the actual sketches themselves.)
Spelling and grammar are also very bad. Mistakes are on every page. If this was a well-thought out photography book, those mistakes would be forgivable. However, this book isn't even average. And the fact that book didn't go through a spell-check process before going into print makes it feel even cheaper still.
Also, Jorgensen isn't much of a writer. To make the book look like it has more substance than it actually does, the border extends an inch in, and the sentences are double-spaced. There are also many block quotes. I understand he's no fashion insider. However, his name dropping and gossipy tone about Hollywood's Who's Who doesn't contribute to my understanding about Edith. It only makes it more apparent that he doesn't know what he's talking about.
This book falls into the "What were they thinking?" category. It had such potential but it's such a missed opportunity. It's lackluster when it should be shiny. It's redundant where it should be exciting. It's dimissive when it should be awe-inspiring. If you do buy a copy of this book, I suggest you get it on bargain. Do NOT pay full price for this. It's not worth it.
Here's hoping a more thoughtful, more thought-out Edith Head coffee table book will come on in the future and replace this dreck pile.
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